Noaz Deshe, whose “Xoftex” had its world premiere this week in competition at the Karlovy Fluctuate Movie Pageant, in post-production along with subsequent challenges.
Deshe told Election The brand new film is a documentary film in Ukraine, in collaboration with Russian dissident Pyotr Verzilov – artist and member of the anti-Kremlin art group Pussy Riot – and “Home of Playing cards” creator Beau Willimon.
Deshe – a Romanian whose grandfather is Ukrainian – is not pictured in the documentary’s title, but says it is “about intimacy and love in a time of affection and purpose.”
The characteristic of Deshe’s second grade that is not pleasant “Xoftex” is a deep dive into the “different” world. Like the director’s acclaimed 2013 debut “White Shadow,” about an albino boy, “Xoftex” plunges the audience directly into a panorama of alienation and pain that is hard to see.
Fascinated by the infinite Greek refugee camp called Softex in the north of Thessaloniki, which houses mainly Arab asylum seekers who fled the war in the Middle East, “Xoftex” is a liminal house lost in time that means an individual who is at fault for all the management. life itself awaits bureaucratic choices that can determine the future.
The film arose out of a documentary challenge Deshe started after visiting Softex, as it had been reported that the converted cargo lines housing the refugees were the “worst” camps in Greece.
“Xoftex”
Courtesy of Arden Movie
“I went there one evening and met some individuals they usually state available in and discuss for individuals, they have tales they have to share … problems with administration, meals,” Deshe said.
Guided by the camp caretaker, Bajhat, the people collected stories about: “One story about a ghost, another about an ancestor walking through a wall,” he recalled. “The next factor is that we are walking close to the training ground, filming motion pictures.”
That expertise led to a theater workshop organized by Intervolve, a small NGO, and Deshe was impressed. It is out of the story created throughout the collection of theater workshops that “Xoftex” appeared, together with the film-within-a-film button where refugees make their own zombie films.
“People need to do one thing in this terrible time and place; many people who meet in the camp do not need to discuss the heartache they have done, but instead consider making a gathering of life – what is their life, what language to teach, the place where want to live, what will be worked on.”
It helps to accommodate individuals who spend their lives ready for a mobile phone name that can determine whether they get asylum or not.
Depicting the story of two brothers who meet in the camp, Deshe creates a surreal story, often like a dream, where truth and fiction merge and change. Nasser, the younger of the 2 brothers seen in the film, aims to make a living in Sweden and invent a Tesla-like electric machine that is impossible. He seems to have achieved this, reuniting with his sister in the Scandinavian country, earlier than a stunning dream-like scene showing his darker fate has caught up with his sister.
Those living in the limbo of refugee camps are under unbearable pressure, Deshe said.
“This thought, strain, not with the ability to understand the place you are – you are not here or there – you can not explain, you may be in the fingers of the system, you do not ‘ Do not know if you are in prison or not, make that construction.
Deshe hopes the film will help viewers find empathy for those whose experiences are vastly different from most individuals, though she denies the film is overtly political.
“I hope people can see this film and see the opposite in a different way and see the opposite in themselves. The goal is to show you one thing that you haven’t seen, to make you think twice about your values and racism which you already have (you probably have) just by going up in a certain place.
